It was an Ancient Land — created in an era before history began.
It was known by many names by a number of civilisations —
The Phoenicians called it ‘Scheria’ — the ‘Land at the End of the World’.
The Queen of Sheba referred to it as ‘Ophir’ — “Whence Semitic Sailors brought Gold to add lustre to King Solomon’s glory”.
‘Ophir Direct’ — A map of the old Gold-Fields of Southern Africa dated 1866-67. The Gold deposits discovered by Hartley and Mauch were generally identified with the Biblical Land of Ophir.
Ancient Sumerian scripts speak of the ‘Land of Ereshkigal’ — the ‘Prairie Country of HA-BUR’ — It was from here they received cargoes of Gold, Precious Stones, Exotic Timbers and a multitude of other luxury merchandise, all conveyed by sea.
The capital of ‘Ereshkigal’, according to the texts was in the ‘GAB. KURA. RA. or in the ‘Chest of the Mountains’ and positioned well inland from the sea in Southern Africa — this was the abode of ‘EN-KI, (EA) — ‘Lord of the Abzu’.
In the city of Eridu, the temple of Enki was known as E-Abzu (House of the Cosmic Waters) and was located at the edge of a swamp. The above photograph is a view from the foot of the Hilltop Fortress of Great Zimbabwe. On the extreme top left can be seen the waters of Lake Mutirikwe, formerly known as Lake Kyle, a marsh land that was dammed in 1960 with the construction of the Kyle Dam on the Mutirikwe River.
The outer wall of the Fortress of Great Zimbabwe. Mounted on top of the wall are two distinct features — the first is the pylon on which were mounted the Zimbabwe Birds. These pylons were raised all around the city walls supporting effigies of the Half-Human, Half-Bird which were the ‘Emblem’ of the Anunnaki. The second feature being the small ‘Towers’. These signify the ‘Power Section’ which was fitted on top of the ‘Shem before departure. Both of these symbols were a show of ‘Absolute Power’.
Above — A small enclosure demonstrating how and where the ‘Power Sections’ were stored.
One of the few Zimbabwe Birds found at the Ruins.
Note — the ‘Five Fingered’ hands and the Human like Arms.
The Afro-Atlanteans, who were involved in a joint venture with the Anunnaki, would have felt vastly inferior with the superior technology surrounding them so it is quite possible, following the departure of the Anunnaki, all Birds were removed from their pedestals and systematically destroyed. Thus came to an end the ‘First Period’ of building in Zimbabwe — the ‘Second Period’ was to begin 3600 years later with the return of ‘Nibiru’. In the ‘Second Period’, the ‘Platforms’ were created with high retaining walls and more structural decorations were added to the walls.
A small section of the outer wall of the Fortress of Zimbabwe. The Ancients used natural rock to enhance and strengthen their walls.
Being one of the main Cities in Zimbabwe, this area was used for the smelting of Gold. Although all traces of the Smelters have long since disappeared, tools with Gold adhering to them were excavated at this particular place.
Another view of the outside wall showing vacant pylons.
In the valley below the Fortress lies the ‘Great Enclosure’ — this is ‘The House of Enki’ — the ‘Lord of that Which is Below’.
A model made in the late eighteen hundreds when the ‘Great Enclosure’ had just been cleared. This was ‘The House of Enki’ — His personal ‘Shem’ is seen on the far right, without the ‘Power Source’ connected.
The ouside wall of the ‘Great Enclosure’ displaying the ‘Chevron’ design along the top. The ‘Chevron’ was the ‘Emblem’ of Enki and was displayed on all buildings ‘He’ was associated with. Dananombe, pictured below was one Platform used by the ‘Shem of Enki’.
The thick, ‘Blastproof Walls’ located ‘inside’ the Great Enclosure — the corridor leads to the ‘Personal Shem of Enki’.
The “SHEM of ENKI”.
This is all that remains of the ‘House of Enki’. What wonders were carried out in this ‘Place of Mystery and Dreams’. Is this where the first ‘Lulu’ was created following the ‘Rebellion of the Igigi’. Was it from this place the Mysterious Civilisation of the Anunnaki was to influence the future of an entire Planet?
It was Zecharia Sitchin who led us to the hidden clues from Ancient Times. He has shown us the ‘Spaceports’ and the ‘Landing Places’ of the ‘Anunnaki Gods’ — “Those Who from Heaven to Earth Came”.
Without his endless knowledge, we would still be blissfully unaware of ‘Who’ had actually build all these decorated Ruins in South Central Africa and more importantly — “WHY?”